Thursday, January 7, 2010
photos from sean.
+more photos from production!
other updates:
wrestling with a rough cut of the film.
hoping for a picture lock by mid-february.
more updates soon!
Tuesday, November 3, 2009
Teaser Up!
"Passages" - Rough Teaser. from herrith sebon on Vimeo.
A teaser for what we shot in Taiwan this past summer.
CAST:
Zhi: William Chen
Yong: A-Jay Lin
CREW:
Directed/Written By: Norbert Shieh
Produced By: Jacqueline Liu, Lin Qiu, Norbert Shieh
Associate Producer: Chingya Wang
Cinematography: Sean Marc Lee
Production Coordinator: William Chen
Assistant Director: Lin Qiu
Art Director: ChingWen Hsu (Carina)
Casting Director/Assistant Camerar: ShunWen Yu (Vivian)
Sound Recordist: Jake Mumm
TECH DETAILS:
Shot with a Canon 5d Mark II with a combination of Nikon Lenses (28mm f/2, 35mm f/2, 75mm-150mm f/3.5), a Canon 50mm f/1.4, a Mamiya 80mm f/1.9 and a few more that I can't remember.
Some rough color correction was done in FCP, but otherwise sound & image have not been mixed or graded.
Sunday, September 20, 2009
production cast and crew.
Chen Wei-Yuan as "A-ZHI"
林世杰 aka "JAY" as "A-YONG"
CREW
Vivian Yu as CASTING / 2nd A.C. / BEST P.A. EVER!
Carina Hsu as ART / PRODUCTION DESIGN
Jake Mumm as SOUND RECORDIST
Sean Marc Lee as CINEMATOGRAPHER
Lin Qiu as ASSISTANT DIRECTOR / PRODUCER
Jacqueline Liu as PRODUCER
Norbert "Lobo" Shieh as DIRECTOR
Thursday, September 3, 2009
week 6: into the void.
Tuesday, August 25, 2009
week 5: a little over one week to go.
Thursday, August 20, 2009
week 4: the tipping point.
At this rate, I should be heading back to the States in about a month and that scares me!
Found this bit from an interview between Gus Van Sant and Kelly Reichardt.
KR: ...I’ve become completely sold on the art of acting over the years. It’s great to be able to do nuanced things with an actor like Michelle who is really a master of her craft.I always thought it would be easier shooting with non-actors. If you love what they’re doing when they’re doing it, then it’s the greatest, but if you want to change anything—BOMB Magazine Interview.
GVS: —There’s no control.
KR: In your films, you get people at an age before they necessarily come to the idea that they want to act, and you get something special out of that.
GVS: You mean like with John Robinson in Elephant?
KR: And Gabe Nevins from Paranoid Park.
GVS: That’s just casting. I think you can do it when they’re under 20. Not when they’re 30. I was under the impression doing Elephant that you should cast the real people in the roles. So if you’re casting a plumber, you should cast a real plumber. If you’re casting a racecar driver, it should be a real racecar driver. It was a theory. I tried to do it on Last Days with rock and rollers. It was just way, way different for me. There’s something about being under a certain age, like 20; they have a lot of free time. They aren’t citizens yet... What I needed for Last Days was the 25-to-30 year-old rocker, a real rocker. Which certainly exists, but you find a real person and they’re just not interested in doing a movie at all. We tended to use our friends because they were like the characters in the story.
KR: It’s kind of impossible to have a blanket theory about casting...